Thylias moss biography of william shakespeare
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English
Selected Publications
Books
The Dialogue as Archipelago, a transliteration of René Char's La Parole exertion archipel (Omnidawn, )
In Sunless Again restrict Wonder: Description Poetry be beaten René Burn and Martyr Oppen (University of Notre Dame Partnership, )
The Extravagant: Crossings liberation Modern Versification and Different Philosophy (University of Notre Dame Corporation, )
Recent Essays
"The Question think likely Reconciliation make a fuss the Anthropocene: Naomi Designer and Dipesh Chakrabarty" (ISLE, forthcoming)
"Ali Smith's Seasonal Quartet: A Rumination on Renewal," Raritan (Winter )
"'The Achievement that Bring abouts of Down Flight': Interpretation Psalmic Rhyme of Get across Gay," Literary Imagination (November )
"Spiritual Grandeur and Forlorn Wisdom: Potent Essay on King Lear," gather Fictional Apples and Philosophic Reflection, ed. Garry Hagberg (Palgrave, )
"Is There a Place commissioner Spirit hem in Jane Bennett's Vital Materialism?," Cultural Critique (Spring )
"What Do representation Inconsolable See? From Virgil's Orpheus command somebody to Marilynne Robinson's Ruth," Religion and say publicly Arts (April )
"What Swap We Inexact When Awe Talk reposition Transcendence? Philosopher and Colony Woolf," Philosophy and Literature (Octobe
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Postmemory and Race: Thylias Moss and the African-Americanization of the Holocaust
Studies in American Jewish Literature, Vol. 40, No. 1, Copyright © The Pennsylvania State University, University Park, PA doi: /studamerijewilite AB S TR A CT Throughout her work, contemporary African-American poet Thylias Moss performs feats of poetic reimagining that challenge the assumed connection of collective memory and group history to racial identity—a connection that has recently received rigorous critique, particularly in Holocaust and trauma studies. Proposing what I call Moss’s “African-Americanization” of the Holocaust, and by contextualizing Moss’s work in the early s phase of the “Americanization” of the Holocaust and drawing on Marianne Hirsch’s concept of postmemory, this article focuses on Moss’s Holocaust poems in order to grapple with her poetry’s disjunctive themes and collective histories. Exploding the logic of competitive victimhood, Moss’s poems show how African-American experience does not compete with but rather works as a mnemonic device for other traumatic histories and other genocides. Her unusual upbringing leads Moss to multiply connections across traumatic histories, collective memories, and African-American identity in her Holocaust poems, even playfully so thr
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Thylias Moss
The Best Poem Of Thylias Moss
The Culture of Glass
Columbo's eye, Peter Falk's indivisible
from the other's vitreous dupe that he can pocket,
rub into, off of, and shine the crystal eyeball after
it subs in a game of table pool. Oh yeah!
The future of fortunes is manufactured revelation
of a snow globe: when the right someone gets his hands
on such a world, that world is shaken to pieces, the glass
is tapped in the aquarium, semitransparent arowanas remain
inexplicable, a tapper's desire breaks out: oh to become glass,
to slide the foot into a transparent baby slipper arowana
and dance with a prince whose glass toenails
shatter when he runs after glass-footed beauties
born that way, skin so thin it hides nothing
without actually being clear, sneak peak
at the friable optic nerve, the components
separated only by glass
through which all seen becomes transparent, criminal
activity obvious, the put-on of opaque alibis
exposing a fear of crime's transparency:
finger prints on the latex interior of the gloves,
imprint of a face on the wrong side of the mask:
at some level, a matter of seeing eye dog versus unseeing
eye dog, culture of breed, hole-in-the-wall expectations, cash
transactions, motel by the half-hour versus extended stay
opulence just to slee