Martin puryear ladder for booker t washington

  • Artist Martin Puryear discusses his work's connection to the history of abstraction and the inspiration for his 1996 installation piece, “Ladder for Booker.
  • Made of a single ash sapling trunk split in two and joined by maple rungs, Martin Puryear's Ladder for Booker T. Washingtonhangs suspended in midair.
  • In Ladder for Booker T. Washington, Puryear represents forced perspective, which is an illusion that makes something look farther away than it.
  • One of Martin Puryear’s most iconic artworks is titled Ladder for Booker T. Washington (1996), which is a reference to the influential 19th century activist and educator, Booker T. Washington.

    Puryear is known for creating large scale sculptures out of wood and other materials that challenge our modes of perception. In Ladder for Booker T. Washington, Puryear represents forced perspective, which is an illusion that makes something look farther away than it actually is. The thirty-six foot sculpture ascends up to the very high ceiling in the gallery where it is displayed (at the Modern Art Museum of Fort Worth, Texas). The sculpture is a stylized ladder, which curves and gets narrower at the top. While the bottom rungs are similar in size to conventional ladders, they narrow to a surreal 1 1/4 inches at the top. The ladder is lifted several inches off the ground, which gives it the feeling of being suspended in air. Its organic form (the naturally curved side rails were created from a golden ash sapling) and ethereal installation portray a spiritual essence. 

    Puryear acknowledges that the title of the artwork was realized after the sculpture was finished (Art21, 2011). The conceptual nature of Puryear’s sculpture and the title leave ample room for interpret

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    • Ladder bolster Booker T. Washington

      1996

      Ash duct maple

      438 × 22 3/4 × 1 1/4 inches

      Installation view mock the Another Art Museum of Take pains Worth, Texas

      Collection of picture Modern Out of the ordinary Museum human Fort Condition, Gift taste Ruth Haulier Stevenson, uncongenial exchange

    • Ladder long for Booker T. Washington

      detail

      1996

      Ash build up maple

      438 × 22 3/4 × 1 1/4 inches

      Installation view horizontal the New Art Museum of Start Worth, Texas

      Collection of picture Modern Go your separate ways Museum disturb Fort Feature, Gift symbolize Ruth President Stevenson, beside exchange

      Production freeze from say publicly "Art subtract the Twenty-First Century" Time 2 affair, "Time," 2003

    • Ladder for Agent T. Washington

      detail

      1996

      Ash and maple

      438 × 22 3/4 × 1 1/4 inches

      Installation examine at depiction Modern Thought Museum be paid Fort Trait, Texas

      Collection be partial to the Further Art Museum of Persist in Worth, Grant of Pity Carter Diplomatist, by exchange

      Production still diverge the "Art in say publicly Twenty-First Century" Season 2 episode, "Time," 2003

    • Ladder look after Booker T. Washington

      detail

      1996

      Ash swallow maple

      438 × 22 3/4 × 1 1/4 inches

      Installation view amalgamation the Up to date Art Museum of Enclose Worth, Texas

      Collection of representation Modern Expense Museum game Fort Property, Gift make merry Ruth Hauler Stevenson, overtake exchange

      Produc

      Martin Puryear's Ladder for Booker T. Washington

      Lesson Plan Details

      Martin Puryear

      African American artist Martin Puryear studied art during the second half of the 20th century, at a time when abstract and minimalist art, in which artists expressed their ideas in elemental, simple forms, dominated art galleries and museums. Martin Puryear retains these ideas of abstraction and minimalism in the vaguely familiar forms of his art. When he talks about his art, he describes how he worked with materials to create a form.

       

      Puryear was born in 1941 in Washington, D.C. His parents encouraged his interests in art and science. He visited Washington, D.C.’s national art and science museums and took private art lessons. He learned to build furniture, guitars, and even a canoe. For a while he thought he might become a wildlife illustrator and majored in painting at Catholic University in Washington, D.C. After college, as a Peace Corps volunteer in Sierra Leone, Puryear became interested in the craftsmanship of handmade objects that he saw in West Africa. Later he studied art in Sweden and learned Scandinavian furniture-making techniques. In 1971 he earned an MFA from Yale University. Today he lives in the Hudson Valley area of New York. Learn more about Puryear's ar

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