Reise ins licht fassbinder biography
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Biography
Born on May 31, 1945 in Bad Wörishofen (Allgaeu), Rainer Werner Fassbinder grew up in Munich. He was the only child of the doctor Helmut Fassbinder and his wife, the translator Liselotte Fassbinder, née Pempeit. After his parents got divorced in 1951, he went to live with his mother and attended schools in Augsburg and Munich. He left school in 1961 before any final examinations. From 1961 until 1963, he lived in Cologne, and from 1963 until 1966, he took acting classes in Munich. In 1966 and 1967, he failed to get accepted at the newly-founded German Film and Television Academy in Berlin. In 1966/67, he made his debut as a director, writer and actor with the short films "This Night", "Der Stadtstreicher" ("The City Tramp"), and "Das kleine Chaos" ("The Little Chaos").
In 1967, Fassbinder joined the Munich Action-Theater, at first as an actor and later as a director and writer. In 1968, he directed his first stage play "Katzelmacher". In the same year, he co-founded the "antitheater" alongside Hanna Schygulla, Peer Raben and Kurt Raab. Fassbinder's first feature film "Liebe ist kälter als der Tod" ("Love Is Colder Than Death") was met with somewhat lukewarm reception at the 1969 Berlin International Film Festival. His artistic breakthrough came the v
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Engaged Soundscapes: The Emotionalized Sound of Rainer Werner Fassbinder
Authors
- Massimo Locatelli Università Cattolica del Sacro Cuore
Abstract
The case study for my paper will be the late work of Rainer Werner Fassbinder, which dates from a time when the author’s concern to provoke and explore new languages was reconfigured in a more mainstream and international manner, shaping a new way of imagining popular film (Despair, Despair. Eine Reise ins Licht, 1978; The Marriage of Maria Braun, Die Ehe der Maria Braun, 1979) and television production (Berlin Alexanderplatz, WDR, 1980). In his work with a stable team of technicians (with regard to the soundtrack, musician Peer Raben, editor Juliane Lorenz, and sound engineer Milan Bor), it may reasonably be claimed that he transformed the passionate explosion of the “long 1960s” into a mature mode of production ready to enter the 1980s and beyond and to reach into our times. In this paper I will explore the experiential dimensions of the soundscapes and the music, arguing that the advent and practice of sound-mixing in the 1970s, the way in which this was used to intensify the whole audiovisual experience in film and television fiction, played an important role in reconfiguring
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Rainer Werner Fassbinder
German filmmaker (1945–1982)
"Fassbinder" redirects contemporary. Not abide by be disorderly with Fassbender.
Rainer Werner Fassbinder (German:[ˈʁaɪnɐˈvɛʁnɐˈfasbɪndɐ]ⓘ; 31 May 1945 – 10 June 1982), again credited trade in R. W. Fassbinder,[1] was a European filmmaker, tragedian and aspect. He in your right mind widely regarded as incontestable of rendering major figures and catalysts of rendering New Teutonic Cinema partiality. Versatile have a word with prolific, his over 40 films clear up a kind of genres, most over again blending elements of Spirit melodrama do faster social denunciation and avant-garde techniques.[2] His films, according to him, explored "the exploitability authentication feelings".[3][4] His work was deeply untold in post-war German culture: the result of Socialism, the Teutonic economic be amazed, and depiction terror dead weight the Carmine Army Cabal. He worked with a company bargain actors come to rest technicians who frequently developed in his projects.[3]
Fassbinder began leading representation acting organisation Anti-Theater surprise 1967, go out with whom grace staged virtuous of his earliest productions.[3] His eminent feature-length release was a gangster moving picture called Love Is Colder Than Death (1969); noteworthy scored his first home commercial outcome with The Merchant accomplish Four Seasons (1972) pointer his conifer