Marie louise elisabeth vigee lebrun biography examples
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Summary of Elisabeth Louise Vigée Le Brun
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Élisabeth Vigée Le Brun
French portrait painter (–)
Élisabeth Louise Vigée Le Brun[a] (French:[elizabɛtlwizviʒeləbʁœ̃]; née&#;Vigée; 16 April – 30 March ),[1] also known as Louise Élisabeth Vigée Le Brun or simply as Madame Le Brun, was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries.
Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style.[2] Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism. Vigée Le Brun created a name for herself in Ancien Régime society by serving as the portrait painter to Marie Antoinette. She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities.[3] Some famous contemporary artists, such as Joshua Reynolds, viewed her as one of the greatest portraitists of her time, comparing her with the old Dutch masters.[4]
Vigée Le Brun created portraits and landscapes.[5] In addition to many works in private collections, her paintings are owned by major museums, such as the Louvre in Paris, Hermitage Museum in Saint Petersburg,
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Elisabeth Vigée Le Brun
Baillio, Joseph, and Salmon, Xavier (eds.), Élisabeth Louise Vigée Le Brun (Paris : Réunion des Musées Nationaux/Grand Palais, ).
Contogouris, Ersy, Emma Hamilton and Late Eighteenth-Century European Art: Agency, Performance and Representation (New York/London: Routledge, ).
Fumaroli, Marc, Mundus Muliebris. Élisabeth Louise Vigée Le Brun, peintre de l’Ancien Régime féminin(Paris : Éditions de Fallois, ).
May, Gita, Élisabeth Vigée Le Brun. The Odyssey of an Artist in an Age of Revolution(New Haven & London: Yale University Press, ).
Pitt-Rivers, Françoise, Madame Vigée Le Brun (Paris : Gallimard, ).
Sheriff, Mary D., ‘Portrait de l’artiste en historienne de l’art : à propos des Souvenirs de Mme Vigée-Lebrun’, in Mechthild Fend, Melyssa Hyde and Anne Lafont (eds.), Plumes et pinceaux : discours de femmes sur l’art en Europe (). Essais (Paris : Publications de l’Institut National d’Histoire de l’Art, ).