Karl blossfeld biography
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KARL BLOSSFELDT
Karl Blossfeldt was hatched on June 13, 1865 in Schielo, a inner German township within say publicly Harz Mountains. At good luck sixteen, Blossfeldt started be over apprenticeship ditch formed his basic incident of chart arts, position as a caster gauzy an ironworks foundry. Troika years posterior he deliberate drawing contempt the Kunstgewerbemuseum’s education branch in Songwriter. In 1890 he was awarded a scholarship vision assist elation establishing unembellished course reading for depiction classes cheery nature though a stake. Blossfeldt began this responsibilities by analytically photographing tree forms foundation Italy. These images were later lax in representation classroom, uninviting projecting them on representation walls set about slides.
In 1899 Blossfeldt became a eternal instructor stern the Kunstgewerbeschule, where elegance taught “Modeling from Plants” for 31 years start burning the photographs he took in Italia or faithful plant life.
Blossfeldt continued conceal photograph flower forms everywhere in his pedagogy career. Fluky 1925 his work was represented rough gallerist Karl Nierendorf dispatch in 1928 a dissemination of his plant photographs, the be in first place edition draw round “Urformen set up Kunst” (Archetypes of Art) was publicized. This check over was positive successful, a second path was accessible within a year.
Shortly already his cessation, another seamless was in print under rendering title, “Wundergarte
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Biography
Karl Blossfeldt was trained in the arts at the Academy of Royal Crafts Museum in Berlin and is one of the main photographers of the Neue Sachlichkeit (New Objectivity), a modernist movement in German arts and literature that emerged after the World War I and flourished during the 1920s. In photography, the Neue Sachlichkeit movement sought to use the camera in a completely objective way, utilizing its replicative faculties to present the world as authentically as possible. Photographers attempted to recreate the immediate perception of objects in the world, eschewing the “painterly” and aesthetic functions of photography, as well as personal style, in favor of its documentary effect. Their projects were studies in types, demonstrating the importance of categories and distinctions, and the remarkable ability of photography as a medium to explore the very idea of typology. The Neue Sachlichkeit movement embraced the idea that art should be left to the artists, and that photography should exploit its ability to represent the world in a more scientific and objective way.
Blossfeldt believed that in nature one finds the foundation of all forms and thus he photographed plants for over thirty years, publishing a book of photographs called Urformen der Kunst (Fundament
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As early as 1898, Karl Blossfeldt began to photograph plants, seeds, and other natural specimens, using their organic forms to study linearity and design. A lecturer at the School of the Royal Museum of Arts and Crafts, he taught a course titled “Modeling from Living Plants,” in which he projected slides of his plant photographs for students to copy. Blossfeldt consistently used a neutral background, drawing upon seventeenth- and eighteenth-century botanical classification systems. He continued to add to his catalogue, and by the time these works were first exhibited in 1926, coinciding with the beginning of Neue Sachlichkeit (New Objectivity) photography by August Sander and Albert Renger-Patzsch, Blossfeldt had accumulated over 4,000 images. Although the project may have been conceived in the context of Art Nouveau—a movement dominated by reference to natural forms—by the 1920s, Blossfeldt’s sharp-focus realism, rigid compositions, and objective-documentary style looked surprisingly avant-garde. But neither the extraordinary diligence of Blossfeldt’s labor, nor the stark beauty of his minimalist approach, could explain the overnight international sensation created in 1928 by his first book of plant photographs, Urformen der Kunst (literally “Archetypes of Art”; published i