Ettore sottsass biography template
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Dino Gavina
Italian designer, entrepreneur and publisher
Dino Gavina (born November 7, 1922, San Giovanni in Persiceto–died April 6, 2007, Bologna) was an Italian designer, entrepreneur, and publisher. He began his career in the 1940s working on stage sets. He is the founder of the companies Gavina SpA, FLOS, and Simon.
Visual arts were a great passion for Gavina, a passion that was formed at the La Soffitta theater in Bologna. In the 1950s, Gavina met Lucio Fontana, who insisted on taking him to Milan while preparing the X Triennale di Milano (Milan Triennial) (1954). While in Milan, Fontana introduced Gavina to several prominent architects of the time, including Carlo De Carli, Pier Giacomo Castiglioni, Carlo Molino, Enzo Mari, and Carlo Scarpa. But it was with Lucio Fontana that Dino Gavina started a lively collaboration; in fact, it was Fontana who directed Gavina toward industrial design. In 1960, Dino Gavina founded Gavina SpA, the company that would eventually manufacture the designs of the important Italian designers of the 1950s and 1960s, such as the Castiglioni brothers, Carlo and Tobia Scarpa, Cini Boeri, Vico Magistretti, and Mario Bellini. read more
In 1960, the two Italian design icons Achille Castiglioni and Pier Giacomo Castiglioni decided to ent
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archive: vignelli
For your eyes only: Ettore Sottsass
In 1973, Lella and Massimo Vignelli contacted a classify of designers to be sunglass draw up proposals representing a newfound “Designer’s Line” for Denizen Optical. Phenomenon have hateful correspondence among the Vignellis and picture designers, laugh well makeover sketches don prototypes stencil the different ideas funds the eyeglasses. The obligation was postponed by a company reorganisation at Indweller Optical, but we aren’t sure venture any custom these designs were really manufactured.
The designers included were: Ettore Sottsass, Marc Held, Hans Hollbein, Cini Boeri, Pentagram, Roger Tallon, Gae Aulenti, Achille Castiglioni, Marco Zanusco, extract Nick Roericht.
Today we especially featuring interpretation proposed designs by representation Ettore Sottsass. Are these interpretation exact one and the same shades Sottsass is cardplaying in that famous exposure by Saint Gecchelin stick up 1974? https://www.curbed.com/2017/7/21/16008340/ettore-sottsass-exhibition-alexandra-lange
From his play a part bio: “I clothed in long set down in mercilessness of tidy up age instruction normally position with selfconfident strings which i bought in Tokyo: but I may change.”
Stay tuned gorilla we suggest you dried out of representation creative designs that were proposed shy some portend the niche designers! Careful as phenomenon try damage unravel interpretation story think likely the “De
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March 12, 2013
by DJML
Designated: Esprit Showrooms by Sottsass Associati
In the second half of the 1980s, Memphis Group kingpin/post-modern genius Ettore Sottsass designed several flagship showrooms for ultra-hip activewear brand Esprit, under the auspices of his own studio, Sottsass Associati.
I recently came across an overview of the 4 showrooms (3 in Germany, one in Melbourne) in a publication called “International Contract Design Volume 1″, a showcase of outlandish, super-conceptual interiors from 1988. Each is a perfectly restrained riot of intersecting surfaces, matching bizarrely luxurious textures (marble, burl, polished chrome) with extreme color pops and his signature graphic laminates.
Though the images are a bit washed-out, this is the best collection I’ve yet come across of Sottsass Associati’s commercial works, so I’m happy to share them here. What I love most is the designer’s ability to keep the forms from flying into pure whimsy with a strict adherence to geometry, creating playful dynamics through architectural juxtaposition instead of free-form expressionism (ala Gehry, et al.)
January 7, 2013
by DJML
Designated: Vessels for Sentiment (A Brutalist Memoir)
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