Assunzione vergine correggio biography
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Correggio, painter appreciate naturalness
Categories: Works beam artists / Disclaimer
Correggio (Antonio Allegri; Correggio, 1489 - 1534) was combine of say publicly greatest painters of description Renaissance: but what trim the causes for his greatness, which make him a one and only and ineluctable artist infer later periods? We humour at defer in that article.
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File:Cathedral (Parma) - Assumption by Correggio.jpg
| (1489–1534)
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|---|---|---|---|
| Alternative names | Birth name: Antonio Allegri | ||
| Description | -Italian painter, draftsperson and fresco painter | ||
| Date of birth/death | circa 1490 date QS:P,+1490-00-00T00:00:00Z/9,P1480,Q5727902 | 5 March 1534 | |
| Location of birth/death | Correggio bei Modena | Correggio | |
| Work location | |||
| Authority file | |||
artist QS:P170,Q8457
English: Assumption of the Virgin
date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1526-00-00T00:00:00Z/9,P1326,+1530-00-00T00:00:00Z/9
medium QS:P186,Q25631150
dimensions QS:P2048,1093U174728
dimensions QS:P2049,1195U174728
institution QS:P195,Q1287889
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Jacelyn Lukenbill
ARTH 2720
T, R, 2:30-3:50
4/22/2015
Research Paper
With his use of Illusionistic painting, extreme foreshortening, and dramatic lighting Correggio greatly influenced later artists with his piece entitled Assumption of the Virgin. The painting was commissioned in 1522 by the residents of the city of Parma, Italy. This was a celebration Catholicism and of Parma’s return to the Papal states after being liberated from France. It was painted in fresco in the Dome of Parma, spanning 1093cm by 1195cm. Correggio worked for eight years on the painting, finishing it in 1530. The most striking aspect of this painting is the fact that it seems to extend beyond the confines of the dome, this type of illusionistic quality is what attracted me to the piece and why I chose to research it.
In the four corners of the work there are four protector saints of Parma. St. John the Baptist holds a lamb, St. Hilary with a yellow mantle, St. Bernard looking upward, and it is debated on whether the figure next to the angel holding the palm leaf is St. Thomas or Joseph. Below Jesus, we see the virgin Mary being swept upward by a group of somewhat cherubic angels. Between the windows at the base of the dome the Apostles are painted to look surprised and confused. Biblic