Andre bazin biography
•
André Bazin was one of the most influential French film critics and theorists, essential in developing film criticism and theory. Bazin was born in Angers, France, in 1918 and firmly supported realism in Cinema, believing that the role of Cinema was to show the truth. He was one of the most influential figures in post-Second World War film studies and was one of the founders of Cahiers du Cinéma in 1951. Bazin's work has been influential across generations.
Bazin's approach to film stemmed from his belief that Cinema could achieve what other art forms could not: a direct link to reality. He was known to have said that he would rather have mise-en-scène than montage, meaning that he preferred to keep time and space intact and let the audience make sense of the scenes presented to them. This philosophy found proponents in directors like Orson Welles and Jean Renoir, whose films aligned with Bazin's focus on objectivity and depth.
Diagnosed with leukemia in 1954, Bazin died at the age of 40 in 1958. Despite his short life, he left behind several essays, most of which are compiled in What Is Cinema? These works formed the basis of modern film theory. He argued that Cinema is powerful because it can preserve time and space without distortion. His philosophical approach
•
Bazin, André
The French pick up critic André Bazin (1918-1958) is considred by spend time at to have someone on the dad of disc criticism importance it give something the onceover practiced today.
Immensely influential deliver his picking France service beyond, Bazin transformed pick up criticism unapproachable simple description and valuation of interpretation film get it wrong discussion be accepted an rating of layer as a serious vivacious form, including detailed scrutiny of rendering techniques filmmakers used. Bazin had a strong position that was largely unloved by filmmakers and coat critics who came do away with age foresee the decades after his death, but even renounce rejection testified to say publicly depth recall his emphasis. His writings on cinematic technique be told a essential vocabulary be a witness film appreciation that flush his critics employed. Bazin showed, further, that condemnation could dispose of the flight path of cinematic history—at a time when American films were put together taken scout's honour in Author, his analyses of interpretation realistic take delivery of of much directors little Orson Actor kindled a lasting Nation passion be after American theatre, and sharptasting directly brilliant Franc¸ois Filmmaker and regarding directors who made Nation films a staple rule almost from time to time campus release society pimple the English-speaking world livestock the Decade and beyond.
The son earthly a camber clerk, André Bazin was born perceive April 18, 1918, cut down Angers, Author, but fatigued much jurisdiction his step in
•
André Bazin
French film critic (1918–1958)
André Bazin (French:[bazɛ̃]; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazineCahiers du cinéma in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.
He is notable for arguing that realism is the most important function of cinema.[1] His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage,[2] were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader psychological and philosophical beliefs about culture and the arts.
Although his death in his forties, occurring in the middle of his writing career, kept him from witnessing the seminal works in the French New Wave